The Influence of Gothic Literature on Gothic Music Essay examples -- L

The crook of Gothic Literature on Gothic Music Gothic encompasses many an(prenominal) writing styles of expression. Gothic artists speak out through the forms of literature, architecture, film, sculptures, paintings, and music. Many times, one genre of Gothic inspires another, creating fusing par onlyels between the two. In this way, each genre of Gothic rises to a more universal level, coalescing into the much broader understanding of Gothic. Gothic writers, such as Mary Shelley, influence Gothic music, as one sees in stylistic devices including diction, setting, and tone. In Frankenstein, Mary Shelleys eerie diction turns otherwise normal elements of spirit into bizarre institutions, a transition which Gothic musicians frequently utilize. Under Shelleys power, recognition turns ungodly, men evolve into monsters, and happiness sours into pain. To an audience taught to celebrate science as a positive step forward in mankind, Shelley shows the dark locating of te chnology. Science grows as not a spiritedness-giving or life-retrieving tool, just now the very temptation which causes the character, Frankenstein, to crawl among the unhallowed damps of the grave and lose all soul or sensation but for the unwanted recreation of life (Shelley 39). Frankensteins passion helps no one, but actually forces a being into beingness against its wishes and the betterment of the people around it. Similarly, Gothic musicians use diction to defect common human behavior, namely mental contemplation and sexual intercourse. with the use of diction, the mind becomes a twenty four hour unflinching watch, (Bauhaus) whose owner himself must trivialize as silly in bon ton to come to grips with his thoughts. The depiction of the mind, no longer t... ...The stylistics of Gothic intermingle to call down an overall dramatic effect across the board of art genres. Henceforth, a chain reaction occurs. Artists create Gothic art in treble genres, fans of ea ch genre expose themselves to the art, and inspiration leads to another rotation in the cycle of Gothic. Ultimately, the influence of art upon art keeps Gothic itself alive. Sources Cited Shelley, Mary. Frankenstein. New York Bantom reproduce edition, 1991. Bowie, David. Outside. Beverly Hills, California, 1995. Tones on Tails. Night Music. England, 1987. The Cure. Seventeen Seconds. New York, New York, 1980. Bauhaus. Swing the sorrow The BBC Sessions. New York, New York, 1989. Internet. Available WWW httpwww.gothic.net/darkside/dmusic.html Internet. Available WWW http//www.allmusic.com/cg/x.exe1.